Biston Betularia ([info]pepperedmoth) wrote,
@ 2008-04-26 17:52:00
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Entry tags:fiddle

Notes on a Day of Busking
1.) Every child under the age of about ten stops to listen. Or they try to stop; often Mom pulls them away.

2.) Every child under the age of about three stops and then starts dancing. It's pretty much the cutest thing in the world. Their eyes get big, and then their feet start going up and down!

3.) If adults are going to stop and listen, they try not to make it obvious. They stand behind me (city code says buskers can't back up against the store fronts, so there's always a good six feet between my back and the wall,) or they sit on a park bench opposite me and look in another direction, or they slowly walk past me . . . and then past again from another direction . . . (STRANGE!)

4.) My entire left arm started cramping, my fingers hurt, my feet hurt, and I have a headache. BUT I bought myself lunch, went grocery shopping, and have money to spare in my wallet.

5.) My goal is to make more per hour than Joshua Bell did. I'll let you know when this happens. Lesson learned: talent possessed and money earned have approximately NO relationship (STRANGE!).




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[info]doc__holliday
2008-04-26 07:03 am UTC (link)
talent possessed and money earned have approximately NO relationship (STRANGE!)

LOL. Not so strange. I always tell new street performers that busking itself is an art you must learn in tandem with the art that you are performing. Busking requires just as much time spent researching and practising as does playing your instrument! In time, you will learn all the nuances in how to get money from a crowd, but it takes work to acquire that skill. Keep at it!

(heh, on a side note, I have a running gag with one of my agents about how Ben convinced me to date him. I told her it was using busking tricks, wherein he promised me something spectacular if I accepted his offer, but put me through the hoops to "dazzle" me, and in the end, his final trick wasnt so spectacular so I felt sorry for him and accepted his offer anyway....)

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[info]pepperedmoth
2008-04-26 02:48 pm UTC (link)
I am coming to understand what you say about the art of busking. I think that people give money to street performers, at least musicians, not necessarily because the music is good- you pretty much just have to be over a minimum threshold of decent talent- but because they feel some connection to the performer or the piece. People give me the most money when their kids start dancing, or when they also play the fiddle, or were an Irish step-dancer in their youth, or they recognize the tune from some long-ago fond memory.

Interesting. But also understandable.

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[info]koffilnmeined
2008-04-26 06:16 pm UTC (link)
That's wonderful. It sounds like you had a of fun despite the cramping and soreness. I hope you get a big return if you keep it up, both monetarily and anecdotally.

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[info]pepperedmoth
2008-04-27 10:33 pm UTC (link)
Thanks! I did make a pretty decent amount of money this weekend (and had fun!). As long as the elbow holds up . . .

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[info]snyrt_file
2008-05-07 09:00 pm UTC (link)
awesomeness. I was gonig to do that in Bratttleboro a couple years ago...then decided that, for what little bit I would conceivably make, it wasn't worth the permitting process.

You are an awesome fiddler. I miss your music.

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[info]pepperedmoth
2008-05-10 03:14 pm UTC (link)
What's the process like in Brat?

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